All MASTER of Saint Veronica Oil Paintings

German Gothic Era Painter, active ca.1395-1420
 
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MASTER of Saint Veronica Triptych oil on canvas


Triptych
Triptych
Painting ID::  32425 		  1400-15 Tempera on wood, 58,9 x 39,5 cm
  1400-15 Tempera on wood, 58,9 x 39,5 cm

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MASTER of Saint Veronica The Man of Sorrow with the Virgin and St Catherine oil on canvas


The Man of Sorrow with the Virgin and St Catherine
The Man of Sorrow with the Virgin and St Catherine
Painting ID::  51056 		  1400-20 Panel, 41 x 24 cm
  1400-20 Panel, 41 x 24 cm

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MASTER of Saint Veronica St. Veronica with the Holy Kerchief oil on canvas


St. Veronica with the Holy Kerchief
St. Veronica with the Holy Kerchief
Painting ID::  52052 		  c. 1420 Tempera on oak, 78 x 48 cm
  c. 1420 Tempera on oak, 78 x 48 cm

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MASTER of Saint Veronica Triptych oil on canvas


Triptych
Triptych
Painting ID::  63703 		  1410 Panel, 70 x 16 cm (each wing) Heinz Kisters Collection, Kreuzlingen It is unusual for the decoration on the backs of the wings to play an important thematic role in the visual programme of a triptych like this, but it does so in this case. When the triptych is closed one is presented with a moving depiction of Christ carrying the Cross, painted on a layer of red which was usually the support for gold leaf. Here the central motif has been isolated from the theme of the Carrying the Cross, which was of crucial importance for Late Medieval devotion. Having been isolated from the narrative, the image of the cross-bearing Christ acquires a validity unconnected with time or place.Artist:MASTER of Saint Veronica Title: Triptych (closed) Painted in 1401-1450 , German - - painting : religious
  1410 Panel, 70 x 16 cm (each wing) Heinz Kisters Collection, Kreuzlingen It is unusual for the decoration on the backs of the wings to play an important thematic role in the visual programme of a triptych like this, but it does so in this case. When the triptych is closed one is presented with a moving depiction of Christ carrying the Cross, painted on a layer of red which was usually the support for gold leaf. Here the central motif has been isolated from the theme of the Carrying the Cross, which was of crucial importance for Late Medieval devotion. Having been isolated from the narrative, the image of the cross-bearing Christ acquires a validity unconnected with time or place.Artist:MASTER of Saint Veronica Title: Triptych (closed) Painted in 1401-1450 , German - - painting : religious

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     MASTER of Saint Veronica
     German Gothic Era Painter, active ca.1395-1420

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